Bringing Up Baby


Bringing Up Baby is a 1938 American screwball comedy film directed by Howard Hawks, starring Katharine Hepburn and Cary Grant, and released by RKO Radio Pictures. The film tells the story of a paleontologist in a number of predicaments involving a scatterbrained woman and a leopard named Baby. The screenplay was adapted by Dudley Nichols and Hagar Wilde from a short story by Wilde which originally appeared in Collier’s Weekly magazine on April 10, 1937.

The script was written specifically for Hepburn, and was tailored to her personality. Filming began in September 1937 and wrapped in January 1938; it was over schedule and over budget. Production was frequently delayed due to uncontrollable laughing fits between Hepburn and Grant. Hepburn struggled with her comedic performance and was coached by her co-star, vaudeville veteran Walter Catlett. A tame leopard was used during the shooting; its trainer was off-screen with a whip for all its scenes. Bringing up Baby is known for Grant’s early use of the word “gay” in the context of homosexuality, although some historians believe the word did not have a homosexual connotation in 1937.

Although it has a reputation as a flop upon its release, Bringing up Baby was moderately successful in many cities and eventually made a small profit after its re-release in the early 1940s. Shortly after the film’s premiere, Hepburn was infamously labeled box-office poison by the Independent Theatre Owners of America and would not regain her success until The Philadelphia Story two years later. The film’s reputation began to grow during the 1950s, when it was shown on television. In 1972 director Peter Bogdanovich filmed a loose remake of the film entitled What’s Up, Doc?. In 1990 Bringing Up Baby was selected for preservation in the National Film Registry of the Library of Congress as “culturally, historically, or aesthetically significant”, and it has appeared on a number of greatest-films lists, ranking at 88th on the American Film Institute’s 100 greatest American films of all time list.

David Huxley (Cary Grant) is a mild-mannered paleontologist. For the past four years, he has been trying to assemble the skeleton of a brontosaurus but is missing one bone: the “intercostal clavicle”. Adding to his stress is his impending marriage to the dour Alice Swallow (Virginia Walker) and the need to impress Elizabeth Random (May Robson), who is considering a million-dollar donation to his museum.

The day before his wedding, David meets Susan Vance (Katharine Hepburn) by chance on a golf course. She is a free-spirited young lady, and (unknown to him at first) Mrs. Random’s niece. Susan’s brother, Mark, has sent her a tame leopard from Brazil named Baby (Nissa) to give to their aunt. Susan thinks David is a zoologist (rather than a paleontologist), and persuades David to go to her country home in Connecticut to help bring up Baby (which includes singing “I Can’t Give You Anything But Love” to soothe the leopard). Complications arise as Susan falls in love with David and tries to keep him at her house as long as possible to prevent his marriage.

David finally receives the intercostal clavicle, but Susan’s dog George (Asta) steals and buries it. Susan’s aunt, Elizabeth Random, arrives. The dowager is unaware of David’s identity, since Susan has introduced him as “Mr. Bone”. Baby and George run off, and Susan and David mistake a dangerous leopard who has escaped from a nearby circus (also portrayed by Nissa) for Baby.
Cary Grant and Katharine Hepburn in adjacent jail cells
David and Susan in jail.

They are jailed by a befuddled town policeman, Constable Slocum (Walter Catlett), for breaking into the house of Dr. Fritz Lehman (Fritz Feld) (where they had cornered the circus leopard). When Slocum does not believe their story, Susan tells him they are members of the “Leopard Gang”; she calls herself “Swingin’ Door Susie”, and David “Jerry the Nipper”.[a] David fails to convince the constable that Susan makes things up “from motion pictures she’s seen”. Eventually, Alexander Peabody (George Irving) shows up to verify everyone’s identity. Susan (who has sneaked out a window) unwittingly drags the irritated circus leopard into the jail; David saves her, using a chair to shoo the big cat into a cell.

Several weeks later, Susan finds David (who has been jilted by Alice because of her) working on his brontosaurus reconstruction at the museum. After giving him the missing bone (which she found by trailing George), she tells him she has persuaded her aunt to make the large donation. Against his advice, Susan climbs a tall ladder next to the dinosaur to be closer to him. When the ladder starts swaying from side to side dangerously, she climbs onto the skeleton. Before it collapses, David grabs her hand. Surveying the wreckage of his work, David gives up and admits that he cannot live without her.


1 thought on “Bringing Up Baby”

  1. Thanks. Always loved this film and the screwball genre. Hepburn outlasted and outclassed all her detractors! Regards from Thom at the immortal jukebox.


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